Jason McMaster of Broken Teeth Interviewed

Broken Teeth formed in Austin, Texas, in 1999 when vocalist Jason McMaster (Watchtower and Dangerous Toys) recruited former members of Dangerous Toys, Dirty Looks and Pariah for a side project that allowed band members to have some fun indulging their dirty rock influences including AC/DC, Rose Tattoo, Circus of Power and The Four Horsemen.

How did you first get in to music? Who turned you onto rock/metal?

My brothers, as well as my neighborhood friend’s record collections had a huge influence upon me when I was young. Dusiverung all of the classic rock and pre Metal influences , would take serious enough hold on me, to shape my own music and art.

How did you become a vocalist and are you proficient in any other instruments ?

I became a singer by default maybe accident. One of my first bands had bad auditions, and the drummer and I just kind of took over the microphones. My first instrument is bass, and along the way, I picked up guitar and basic drums. It has helped in my writing.

What was the local scene in Austin, Texas like in the beginning? Was there a particular band you aspired to be like? Favorite local bands back then? Favorite local bands now?

Austin music has always been good. All styles. There was not much heavy music to see in 1980 when I got here, but that changed in a short couple if years. By mid eighties, punk and metal were rampant. Fave bands were Agony Column, The Offenders, Militia. Crimson Devils, Zero Percent.

Has there been times when drugs and alcohol were beneficial to the band?

No benefit from “spirits” other than recreation or relaxation. I have used for influence if my art.

How would you best describe your sound?

The idea was to write fun songs in a certain vein of blues rock, or, sound like AC/DC, either way, was fine with me. The sound has evolved only in the way that more influences shine through now more than our other records.

Is doing pre-sales the same thing as pay to play?

The venue sells tickets, pre sale means weeks or months prior to show day. Pay to play is clubs giving printed tickets to local bands to sell. Sometimes the bands get to keep the money, sometimes its only for incentive. The more tickets they sell, the better chances of getting paid, and more opening slots for bigger acts.

What was the first music you bought and what have you bought more than once?

The first records I bought were early Elton John and Queen records. When available on cd, I bought them all again. I will probably buy them all again one day. Mainly Elton, Rock of the Westies, and Captain fantastic, Queen-News of the World, A Night at the Opera and Day at the Races.

How has it been signing to the EMP label so far?

Its cool, that those guys have a deal for bands they like to put out their wares. Sure we get to say we work with Dave Ellefson of Megadeth, but, it’s more than that. they care about whats going on without being there with you in the studio saying”thats not gonna work for us”. All EMP artists have 100% control. The label has been easy going and happy to have us from the start.

Whats the biggest show you have played so far and do you still get nervous before a gig?

I do sometimes get nervy, but I use it to throw into the songs. Making sure to not over excite, its like a pitcher can throw out his arm at warm up, ya gotta slide into the game. The biggest show Broken Teeth has played is a few thousand on a cruise ship.

Is commercial rock radio dead?

Commercial means its a product, and if all involved are pushing the hell out of it, and throwing money at it, and promoting it prior and during its release, it means that if that’s happening to a lot of artists all at one time, means commercial anything is not dead. The clincher on my side of it is, even though i am sorta in the bizness’,I don’t listen to the radio.

Favorite songs on the new finished album and why?

Four on the Floor and Sinful are faves for sure, cool weird lyrics i came up with almost randomly that worked in the end. Kinda like mixing a drink, or a smoothie, lots of random ingredients can tell a really cool story. But some truth to life lyrical moments of the record would be the song. “Borrowed Time”. check it out.

Out of all your songs which one touches you the most when you perform it?

Sinful, its about fans doing and being who they feel they are supposed to be, and then all of a sudden feeling alienated, all because theyre expressing themselves when someone comes up with a reason why its a bad idea, when it has nothing at all to do with them.

Are there any political or social issues hidden in Broken Teeth songs?

I would say yes, but not deliberate to any current situation. Very vague to political stance. But believe me there is alot of ‘tell how you really feel’ moments in there, through out.

What was the process of putting the songs in order?

It’s all about flow. I sometimes worry about if songs are in the same key, they should not be next to one another in the running order, but sometimes that’s what the flow of the record calls for, a fast ripper in key of E can sounding cool winding down into a slow boogie slide even in the same pitch.

What endorsements do you have and what endorsements do you still want?

No endorsements, i would endorse any name brand gear if it doesnt suck.

Bands you would love to tour with and musician or artist you would like to meet and interrogate?

AC/DC, Aerosmith, Elton John, Brian May.

Song to be played at your funeral and 3 albums to take to your grave?

See answers to question number 7, so in essence any of those.

Final thoughts, shout outs, dirty jokes?


American Wrecking Company’s ‘Everything and Nothing’ coming August 18

Pavement Entertainment has inked a deal that will see the August 18 release of Everything and Nothing, the new album from Washington’s American Wrecking Company.

American Wrecking Company is a fusion of many influences from Metal, Punk, Rock and everything in between. The camaraderie and mutual love for making music, AWC lays down infectious rhythms, choruses and face-pounding verses. The music combined with a stage presence seldom matched, American Wrecking Company leaves fans with an insatiable appetite for more.

The band is comprised of founder Jeff Bloomfield, who is endorsed by Spector and considered one of the “heaviest bassists” around. Randy Bebich (rhythm guitar) and Ben Reynard (rhythm & lead) are both endorsed by DBZ Guitars and Diamond Amps. The duo is known for their highly creative approach and excellent twin-guitar attack. Drummer Dylan Hickey brings an intense and positive energy to the mix. Vocalist T.J. Cornelius rounds out the lineup with a voice that calls upon the legends of metal who came before him.

The band has opened shows for Hatebreed, Fear Factory, Motorgrater, Act of Defiance and Mushroomhead; and has toured extensively across the western portion of the U.S. American Wrecking Company is a machine that delivers an entertaining and “can’t be missed” live performance.


Australia’s King Parrot To Release Ugly Produce This Fall Via Housecore Records

Australia’s unhinged extreme metal villains King Parrot return with their third and finest long player to date in the form of Ugly Produce.
Set for release in North America on September 22nd via Housecore RecordsUgly Produce is a ten-track feast of distinctively punishing and powerful anthems. Recorded at the infamous Goatsound Studios in Melbourne, Australia and produced by Blood Duster’s Jason Fuller, this is no walk in the park on a sunny Sunday afternoon. Ugly Produce is a twisted, cantankerous ride through an outback graveyard, high on PCP, wreaking of animal feculence.

Ugly Produce mixes the raw fury of debut album Bite Your Head Off and mashes it with the twisted sophistication of their ARIA-nominated follow-up Dead Set. Ugly Produce reaches new heights in abrasive songwriting and serves up an odious pile of repulsive flavors you wouldn’t want to find on your local fruit and vegetable shelves,” issues vocalist Matt “Youngy” Young. “It’s a repugnant harvest of gnarled and nasty grind, death metal, thrash, and punk rock and it’s more caustic than ever.”

Guitarist Mick Michaels of Corners Of Sanctuary Interviewed

Hailing from Philadelphia, New Wave of Traditional American Heavy Metal band Corners of Sanctuary (COS) formed in 2011 with a desire to bring back the sounds of Classic Heavy Metal. Corners of Sanctuary has performed with many notable artists including: Saxon, Anvil, Stryper, U.D.O., Butcher Babies, Grim Reaper, Tracii Guns, Saving Abel, Tim “Ripper” Owens, David Shankle (Manowar), Tantric, Marc Rizzo of Soulfly, Green Jello, Act of Defiance, Britney Fox and Damon Johnson among others. Guitarist Mick Michaels took some time away from slaying dragons to enlighten us on all things Corners of Sanctuary.


How did you first get in to music? Who turned you onto rock/metal?

Mick Michaels: Several family members played instruments. My older brother and grandfather played guitar. My grandfather also played in the Philadelphia string bands playing the banjo and accordion among other instruments. Around the age of seven I wanted to play the drums. After what seemed like a long campaign on selling the idea of me getting a drum set, my parents finally broke down and bought me a four-piece Ludwig blue-sparkle jazz kit. It was awesome and I wish I never sold it. My father was a big Beatles fan as well as Ritchie Valens fan. My older brother was into bands like Black Sabbath, Kiss, Rainbow, Zepplin and Deep Purple – this was my first introduction to early Metal.

How did you become a guitarist and are you proficient in any other instruments?

MM: I played the drums for about five years until I decided to make the switch to guitar. I had always dabbled with the guitar but nothing that would constitute that I actually played. Being that my brother was already heavily involved in music and working with bands playing guitar, I am sure this was a major factor which affected my decision to go to guitar. But I also started to realize that songwriting for me seemed easier with the guitar than on the drums… it made more sense and seems to be the thing I was looking for. I still play some drums but not at a level where I could sit in with a band for a full set. I play bass and a little bit of keyboards. I play just well enough where I can lay some recorded tracks in a pinch if needed.

What was the local scene in Philadelphia like in the beginning, was there a particular band you aspired to be like, favorite local bands back then, favorite local bands now? 

MM: As history shows, Philadelphia was a hot spot for music. Many famous artists are from the area: Patti LeBelle, Frankie Avalon, The Roots, Pink, Hall and Oats, Cinderella, Jim Croce… Dick Clark’s American Bandstand was produced here in the early days. A lot of energy and soul lives in Philly, especially with regards to music. For Rock and Metal there were so many cool places to play or go see bands back in the 80’s, The Empire, the Galaxy, Rock n Roll Ridge, Bonnie’s, The Silo… hell, even local roller rinks had bands perform. It was a cool time. Back in the mid 80’s my favorite local Philly band was World War III. Johnny Dee from Britny Fox and Doro played drums in that band. They were awesome and embodied that next level sort of attitude and delivery. Britny Fox was also big on the local scene in the later 80’s after Cinderella was signed. They were a really cool band to see live during that time.I remember local music being very inspiring. There was so much raw energy and excitement. Every show was electric… going to a local venue like the ones I previously mentioned was like going to the Spectrum or some major concert venue… it was always an event. The fact that people keep creating music and write songs, put bands together and go out and perform is inspiring. Without them there would be no scene at all.

Has there been times when drugs and alcohol were beneficial to the band.

MM: Never. Doesn’t exist for us… never has, never will… the music is all we need.

How would you best describe your sound?

MM: We are a modern take on the Classic Metal sound… The New Wave of Traditional American Heavy Metal.

Is doing pre-sales the same thing as pay to play?

MM: I don’t feel they are the same thing. Pre-sales are no different than what your favorite pro band does when they come into town for a show. Tickets are made available prior to a show to ensure people will be in the audience. Selling tickets has always been part of the game. Just these days, bands get far less of a cut even with the same amount of work. Selling tickets should motivate a band to spread the word and reach new audiences. It’s hard and adds to the constant struggle a band faces to stay positive and stay noticed. But we must ask ourselves… do we want to play to no one? Do we want to rely on people just showing up? It’s a gamble.

The pay to play thing is a buy on scheme plain and simple, and seldom, if ever, do you get a kick back. Even with the pre-sales, bands usually get some percentage back per ticket. Major acts are doing the tour “buy ons” with many of the supporting bands. Bands buy on a tour package to ultimately get exposure but have to cover all their own expenses. If they are lucky, merch sales are their only means of looking to balance things out. The money paid to get on the tour goes directly into the headlining band’s pocket. It’s crazy but it’s happening, and is part of today’s industry.

What was the first music you bought and what have you bought more than once?

MM: I remember buying a 45 of “Shout it Out loud” from Kiss in the 70’s. The B-side was “Sweet Pain”. I have bought a lot of Kiss records over the years. I had stuff on vinyl which I later bought on cassette, to later buy on CD and more recently bought again on vinyl. It’s not uncommon to have multiple copies of a release in different formats.

DIY forever or signing with a label at first opportunity?

MM: That’s a catch 22 question… and no matter how you answer it, someone will always have something to say. First off, who wouldn’t want to make it to the big time and be a success? If you have a favorite band or artist, then chances are they done did the deal. So signing with a big label for your run at that chance is a no brainer. But there is so much more involved that even people outside of the music industry have come to learn. Ownership and control is what it comes down to and that is what will dictate how and where the money goes. Without that, the artist always ends us owing.

Being DIY comes with its own set of pros and cons. All the ownership and control is yours to keep, but so is all of the work and expense. This comes down to the ability to be creative, be flexible and to keep swinging. Being DIY builds character and integrity. But it also involves being a band or artist that others want to work with and like to work with, otherwise it can be lonely.

After all these years, I have come to terms with if given a shot at the big time, I am more than comfortable signing over one album of material to make that happen. If it doesn’t work out, I can always go back to writing albums for myself. Better to love and lost than to never have love at all. J Let the judgment begin!

What’s the biggest show you have played so far and do you still get nervous before a gig?

MM: The biggest show we have played so far was opening for UDO this past February. It was amazing. We received a call two days before asking if we would be willing to do the show. Of course we said yes without hesitation. But we didn’t get the green light until about 3pm Friday afternoon and the show was the following night. We were the only support band and the place was packed. Though we didn’t know how packed until we hit the stage. We had arrived earlier in the day for a sound check and all, and then went out for some dinner. We were escorted in and out through the back of the building, never really seeing what was happening out front. The place went black, we were being introduced as we made our way to the stage and the lights kick on and at that moment we realized how real this was. It’s like a bolt of lightning hitting you. All you can do is play. I absolutely still get nervous before shows. I think it is normal, healthy and demonstrates that I am alive and that I still care.

Is commercial rock radio dead?

MM: I don’t believe so. Commercial rock has always found its way onto Pop oriented stations… and Pop has always added in some form of rock to give themselves an edge. I don’t think rock is dead… it’s just been laying low and preparing itself for the next big change over. Music, like anything else, is a cycle. If you wait around long enough everything makes a comeback. Be patient. Rock is forever.

Favorite songs on the new as yet to be finished album and why?

MM: We are currently working on our new album “The Galloping Hordes”. All the songs have something that I am connected to by my favorite song on the album is definitely a track titled “If You Dare”. For me it is just flat out rockin’… straight forward, driving Heavy Metal that I know and love. The song’s about standing up to all those who oppose you because of jealousy or hatred towards what you have accomplished. To me I find the song inspirational and a reminder that there will always be people looking for you to fail. It is up to us to prove them wrong.

Out of all your songs which one touches you the most when you perform it? 

MM: I would have to say “Only One”. This was the very first song written when Corners of Sanctuary formed. The song was co-written by Mad T and myself and originally appeared on COS’ first EP “Forgotten Hero”. The song was then rerecorded for another EP a couple of years later but has never been on one of our albums. However, “Only One” has been a part of our live set from the very beginning and will most likely remain an essential part of the show.

Are there any political or social issues hidden in Corners of Sanctuary songs?

MM: We write a lot about war and battle and how it affects those who are involved. I guess there can be some subtle political commentary included but we tend to see it more as a social awareness message to what is going on in the world.

We also tend to write about self-empowerment and overcoming odds. The simple message is that we are all capable of so much more and we should all strive to be the best we can be. Not to sound like a recruitment commercial, but people tend to give up way too easily and way sooner than they should without ever really trying. Quitting is way too easy but is becoming more of a norm. Life is gonna throw a lot stuff at us, we shouldn’t add to it by just letting it come at us without a fight.

What was the process of putting the songs in order.

MM: Placing songs in a particular order for an album is based on flow and continuity. For me the order is very important. It has more to do with the beginning and ends of tracks than anything else. Like watching a TV show where the action is halted at a commercial break or at a cliffhanger. We are left with wanting more… and the next song, the right song, can provide that. This is of course unless song order dictates a theme or story line… then there can be no deviation.

I realize, however, that in today’s market most people don’t even care about song order let alone download complete albums. But since the CD format is still available, as well as the rising interest in vinyl and cassette tapes making such a comeback, to me song order is still relevant and a vital part of how the album is delivered and received. Song order can make all the difference.

What endorsements do you have and what endorsements do you still want?

MM: Currently the band has a number of really great endorsements including Von York Strings USA, Sinister Guitar Picks, Coldcock Whiskey, George L’s Guitar Cables, Metal Babe Mayhem Clothing (who is also sponsoring our West Coast tour this November), Explore Apparel, FUNctional Accessories, Tuned Up Brewing Company (where COS has a signature line of craft beers), Cooper Groove Drumsticks, The Sweet Spot Drum Dampeners and Fireplant Guitars. It is so cool to have companies believe in what you are doing enough so that they are willing to attach their name to yours and mutually work to foster a relationship and to build a brand. We are truly grateful for their confidence and support.

James and I would love to get an endorsement deal with Carvin for amps.
I know James would like to have a deal with Hohner Basses… and it would be cool to have a relationship with either B.C. Rich Guitars or ESP Guitars. I have been playing both for quite a number of years.

Bands you would love to tour with and musician or artist you would like to meet and interrogate.

MM: We would love the opportunity to be able to tour with Judas Priest or Accept, even Kiss!
Who wouldn’t? These are bands we grew up with… would be an amazing dream come true to say the least. It would also be cool to tour with Disturbed… actually I’m pretty sure we would tour with anyone if asked.

I personally would like to meet Rob Halford, Glenn Tipton, Paul Stanley and Jon Bon Jovi. These artists have been very inspiration to me as a songwriter and performer. All of them had to work to reinvent themselves multiple times and each time came back stronger than before, at least from my point of view. There are definitely lessons to be learned from these gentlemen.

Song to be played at your funeral and 3 albums to take to your grave?

MM: Would love to have the theme to the Godfather played at my funeral… and while they are lowering me down into the ground, the theme to Rocky.

Three albums I would l take to the grave with me…
Judas Priest “Stained Class”,
Paul Stanley’s 1978 solo album,
and the new Corners of Sanctuary album “The Galloping Hordes”

Final thoughts, shout outs, dirty jokes?
MM: Thank you Capital Chaos TV for taking the time to speak with me. It was a pleasure.

Also want to thank all our families, friends and fans for their constant support…we would not be able to do what we are doing without you all. We are extremely grateful.

The band has been very fortunate over the last several years to find an audience. It’s humbling and it’s inspiring. So much on the horizon…we have a new album we are planning to release later this year and a West Coast tour happening in November. Plus, look for some new singles dropping as well as several other cool things coming. We are extremely excited and look forward to seeing the fans and making new friends along the way. COSnROLL!

Shattered Sun Streaming Entire New Album

The Texas mob recently released a pair of videos ahead of the album’s release, “Hollow Chains,” and “Burn it Down.” Shattered Sun’s first tour in support of The Evolution Of Anger finds them joining the 2017 Vans Warped Tour beginning July 26 outside of St. Louis, MO, and rounding out the tour on its final date in Pomona, CA on August 6. Fall tour details will be announced soon.

SHATTERED SUN on Vans Warped Tour 2017


26 – Maryland Heights, MO @ Hollywood Casino Amphitheatre

27 – Bonner Springs, KS @ Providence Medical Center Amphitheatre

28 – Dallas, TX @ Starplex Pavilion

29 – San Antonio, TX @ AT&T Center

30 – Houston, TX @ NRG Park


1 – Las Cruces, NM @ NMSU Intramural Field

4 – Mountain View, CA @ Shoreline Amphitheatre

5 – San Diego, CA @ Qualcomm Stadium

6 – Pomona, CA @ Pomona Fairplex

Joywave release their sophomore album Content.

Joywave have released their sophomore album Content today via Hollywood Records/Cultco Music today HERE. The album title, Content is a heteronym that plays on the theme of CONtent vs ConTENT. The album is produced by Joywave’s own Daniel Armbruster & Sean Donnelly and mixed by Rich Costey, who has worked with artists like Haim, Foster The People, Vampire Weekend and At The Drive In.

The band shared the title track “Content” HERE with their fans. The visual was shot on a vintage Super 8 and filmed on location at Kodak Tower, Rochester, NY. They shared a new song

“Shutdown” shortly thereafter HERE. Joywave will make their return to the live stage tonight with a hometown release party at Rochester’s The Flying Saucer and will start touring with Young The Giant and Cold War Kids on August 2nd (tour dates below).

Always pushing the creative envelope, Joywave released a mixtape 77777 (2011), their critically-acclaimed EP Koda Vista (2012), a second mixtape 88888 (2013), the How Do You Feel? EP (2014), a full-length debut album titled How Do You Feel Now? (2015) and in 2016 an entire album featuring alternative versions of their song “Destruction” called SWISH, a take on Kanye’s short-lived album title and more precisely the band titled it SWISH in response to the similarity between their 2015 tour art & “Destruction” ad campaign & The Life Of Pablo album art. They collaborated with Big Data on “Dangerous” which hit #1 at alternative radio, while “Somebody New”, “Destruction” and the track “Tongues” (feat KOPPS) off their album How Do You Feel Now? topped the US alternative radio charts as well.

Joywave’s touring history is impressive to say the least; they’ve toured with Foals, The Killers, Brandon Flowers, Metric, Silversun Pickups, Bleachers, St. Lucia and played stages like Coachella, Lollapalooza (US & Berlin), Reading & Leeds, Okeechobee, Osheaga, Hangout and Bumbershoot.

Late night has been kind to Joywave, where shows like Jimmy Kimmel and Seth Meyers have welcomed the ingenious band and publications such at Rolling Stone, Billboard, Spin, Entertainment Weekly have praised their music and live performances.

Joywave is vocalist Daniel Armbruster, guitarist Joseph Morinelli, keyboardist Benjamin Bailey and drummer Paul Brenner.

Joywave live:
* = with Young The Giant, Cold War Kids
** = with Cold War Kids

Fri 07.28 – Rochester, NY @ First Federal Plaza’s The Flying Saucer
Wed 08.02 – Louisville, KY @ Palace Theatre *
Thu 08.03 – Sterling Heights, MI @ Freedom Hill Amphitheatre *
Fri 08.04 – St. Louis, MO @ Hollywood Casino Amphitheatre *
Sat 08.05 – Kansas City, MO @ Starlight Amphitheatre *
Sun 08.06 – Sioux Falls, SD @ The District **
Tue 08.08 – Papillion, NE @ Sumtur Amphitheatre *
Thu 08.10 – Boise, ID @ Knitting Factory **
Fri 08.11 – Seattle, WA @ Wamu Theater at Qwest Field *
Sat 08.12 – Portland, OR @ Crystal Ballroom (KNRK radio show)
Tue 08.15 – Morrison,CO @ Red Rock Amphitheater *
Thu 08.17 – Albuquerque, NM @ Villa Hispana @ EXPO *
Fri 08.18 – Las Vegas, NV @ The Pearl *
Sat 08.19 – Reno, NV @ Grand Theatre at Grand Sierra *
Sun 08.20 – Eugene, OR @ Cuthbert Amphitheatre *
Mon 08.21 – Sacramento, CA @ Ace Of Spades **
Wed 08.23 – Phoenix, AZ @ The Van Buren **
Thu 08.24 – San Diego, CA @ Open Air Theatre *
Fri 08.25 – Santa Barbara, CA @ Santa Barbara Bowl *
Sat 08.26 – Irvine, CA @ FivePoint Amphitheatre *
Thu 09.07 – Cincinnati, OH @ PNC @ Riverbend *
Fri 09.08 – Nashville, TN @ Ascend Amphitheatre *
Sat 09.09 – Chicago,IL @ Huntington Bank Pavilion *
Sun 09.10 – Columbus, OH @ Express Live! *
Tue 09.12 – Providence, RI @ Lupo’s Heartbreak Hotel **(WBRU radio)
Wed 09.13 – New York, NY @ Central Park Summerstage *
Thu 09.14 – Boston, MA @ Blue Hills Bank Pavilion *
Fri 09.15 – Philadelphia, PA @ Festival Pier @ Penn’s Landing *
Sat 09.16 – Columbia, MD @ Merriweather Post Pavilion *
Sun 09.17 – Atlanta, GA @ Music Midtown Festival
Tue 09.19 – Charlottesville,VA @ Sprint Pavilion *
Wed 09.20 – Charlotte, NC @ The Underground (WEND radio show)
Thu 09.21 – Orlando, FL @ Hard Rock Live *
Fri 09.22 – Jacksonville,FL @ Daily’s Place *
Sat 09.23 – Miami, FL @ Bayfront Park Amphitheatre *
Mon 09.25 – Athens, GA @ The Georgia Theater **
Tue 09.26 – Birmingham, AL @ BJCC Concert Hall *
Thu 09.28 – Oklahoma City ,OK @ Criterion *
Fri 09.29 – Dallas, TX @ Irving Music Factory *
Sat 09.30 – Houston, TX @ White Oak Outdoors *


Splattered Release Video For New Song “Antediluvian Horror”

Hailing from Fremont, California brutal death metal and slam trio Splattered premieres a new song entitled “Antediluvian Horror” today, taken from the band’s upcoming 4-way split release “Worldwide Slamicide” (feat. also Stillbirth, Gorevent, and Crepitation).

The album is scheduled to drop sometime in August 2017 via Amputated Vein Records and Rising Nemesis Records. Check out now “Antediluvian Horror” below.



Watch Slayer Reign In Blood On Jimmy Fallon

Two-time Grammy-winning thrash/metal legends SLAYER performed their iconic song “Raining Blood” on last night’s (Thursday, July 27) edition of NBC‘s “The Tonight Show Starring Jimmy Fallon”. They also took part in a “Tales From Tour” segment in which they shared road stories about a free throw gone wrong, leaving bandmates at rest stops and a crazy night in Canada. Check out the footage below.

Immediately following yesterday’s taping of “The Tonight Show”SLAYER headed over to New York’s Theatre at Madison Square Garden where the band headlined as part of its summer U.S. tour.

In a recent interview with Revolver magazine, SLAYER guitarist Kerry King was asked if there are any plans in place for the band to begin working on a follow-up to 2015’s “Repentless” album. He responded: “Funny thing is, ‘Repentless’ isn’t even two years old yet, though it seems like it is. But from that session, there are six or eight songs that are recorded — some with vocals, some with leads, but all with keeper guitar, drums and bass. So when those songs get finished lyrically, if the lyrics don’t change the songs, they’ll be ready to be on the next record. So we already have more than half a record complete, if those songs make it.”

He continued: “This is actually the most prepared we’ve ever been for the next record in our history; there’s no reason to not do more work, because it’s already more than halfway done. Just write four or five new songs, and give the others some attention, and we’ll be good to go. If we get a down period of time, which I know is coming at the end of this year, maybe we’ll focus on that and get to it.”

Pressed about whether it’s “conceivable” that we could see a new SLAYER record next year, Kerry said: “It’s conceivable — but I’m certainly not gonna promise it, because every time I do, I make a liar of myself! [Laughs]”

Via Blabbermouth

Stu “The Hammer” Marshall of Night Legion Interviewed

Forged in the fires of internationally acclaimed acts ranging from Death Dealer and Blasted to Static to Empires of Eden and Aussie metal royalty Dungeon, Night Legion unleashes razor-sharp power metal to make your ears bleed – in the best possible way. 
How did you first get in to music? Who turned you onto rock/metal?

Definitely Kiss and Ace Frehley,. seeing Kiss in the 70’s made most kids want to be rockstars


How did you become a guitarist and are you proficient in any other instruments ?
I originally got involved thanks to my cousin who had a few guitars. I remember visiting him and just lusting after these guitars and in time, he was cool enough to give me one – it was a great day for a 6 year old kid.


What was the local scene in Sydney, Australia like in the beginning? Was there a particular band you aspired to be like, favorite local bands back then, favorite local bands now?

Australia has had a fairly strong local metal scene since the 80’s and for me, when I got into bands in the late 80’s it was a great time. Of course I wanted to be like the guys in Metallica, Iron Maiden – out touring and dreaming of heading off around the globe


Has there been times when drugs and alcohol were beneficial to the band.
I have never been involved with drugs, but I like a drink – I think if you have good guys who like a drink then it helps with the metal vibes for me. Some people should stay away from it though if it makes them assholes.


How would you best describe your sound?

Night Legion is straight down aggressive power metal really.. no prog or jazz – Just high screaming power metal


Is doing pre-sales the same thing as pay to play?

Well, with the pre-sale system you get the cash back and the chance to play so they are pretty different. I have done both though and they both have their merits.


What was the first music you bought and what have you bought more than once?

For me it was the Iron Maiden album (Maiden Japan), the album cover really called to me which when you’re 7 years old, really speaks more than a lot of music on the radio.

DIY forever or signing with a label at first opportunity?

I like a label where the deal is good. It legitimizes sales and you have a team handling the album that is focused on the correct way to promote.  but… it’s all about the deal and signing a bad deal is something that can haunt a band for a long time.


Whats the biggest show you have played so far and do you still get nervous before a gig?

I don’t get nervous anymore, but the biggest show was Moscow in front of about 8000 people

Is commercial rock radio dead?

I honestly have no idea.. I don’t listen to radio anymore…


Favorite songs on the new finished album and why?

I think “The Eye of Hydra” – super powerful and Vo’s lyrics are just killer


Out of all your songs which one touches you the most when you perform it?

Possibly “The Warrior”, it was written for a very young fan who  is suffering but fighting health conditions.


Are there any political or social issues hidden in Night Legion songs ?

No.. we stay clear of those topics..


What was the process of putting the songs in order. Writing?

I usually come up with the musical ideas and work on them with the singer. Everyone is given open movement to play what they like so we get everyone’s involvement


What endorsements do you have and what endorsements do you still want?

I’m lucky to be endorsed by ESP Guitars, Atomic Amplifier, Elixir strings, DSL straps and Dunlop – I am searching for an amplifier endorsement now.


Bands you would love to tour with and musician or artist you would like to meet and interrogate.

I‘d really like to head out with someone like Judas Priest.. that would be pretty amazing.


Song to be played at your funeral and 3 albums to take to your grave?

Nessun dorma, Defenders (Manowar), Holy Diver (DIO)- and the three albums.. Piece of Mind (Iron Maiden), Ace of Spades (Motorhead) and Hail to England (Manowar)


Final thoughts, shout outs, dirty jokes?
Ahhh, no jokes but please drop past and check us out at our website and Facebook.

Gatecreeper Announce European Tour And US Tour With Cannibal Corpse and Power Trip

Arizona death metal unit Gatecreeper  have announced a headlining European tour this September. The eleven date tour begins on September 8 in Finland and ends on September 22 in the Netherlands. Support will be provided by Ratlord on select dates. Additionally, Gatecreeper  will provide direct support for Cannibal Corpse and Power Trip in the US throughout November and December. The band will also make festival appearances later this Summer at Psycho Las Vegas and HOCO Fest 2017. A full list of dates is available below.

Vocalist Chase Mason commented: “We are very excited to tour Europe for the first time. Hopefully this will be the first of many trips overseas in the near future.”

Gatecreeper ’s latest album Sonoran Depravation is out now on CD/LP/Digital via Relapse Records. Physical packages, including the album’s fourth LP pressing, are available via Relapse.com


Aug 20 Las Vegas, NV Psycho Las Vegas

Aug 30-Sep 03 Tucson, AZ HOCO Fest 2017

— All Dates Sep 13 – 22 W/ Ratlord —

Sep 08 Helsinki, FI Waiski *
Sep 09 St. Petersburg, RU Les *
Sep 10 Moscow, RU Shagi *
Sep 13 Budapest, HU Robot
Sep 15 Siegen, DE Vortex
Sep 16 Kassel, DE K19
Sep 17 Bristol, UK The Exchange
Sep 18 London, UK Black Heart
Sep 19 Glasgow, UK Audio
Sep 20 Leeds, UK Temple of Boom
Sep 22 Schoonebeek, NL JC Goeroe

* Gatecreeper Only

— All Dates 11/03 – 12/08 w/ Cannibal Corpse & Power Trip —

Nov 03 Jacksonville, FL Mavericks at the Landing
Nov 04 Pensacola, FL Vinyl Music Hall
Nov 05 Birmingham, AL Saturn
Nov 06 Memphis, TN New Daisy Theatre
Nov 08 Dallas, TX Trees
Nov 09 Houston, TX White Oak Music Hal
Nov 10 McDade, TX Sound on Sound Fest
Nov 12 Mesa, AZ Club Red
Nov 13 Santa Ana, CA The Observatory
Nov 14 San Francisco, CA Slim’s
Nov 15 San Francisco, CA Slim’s
Nov 17 Seattle, WA Neumos
Nov 18 Portland OR Hawthorne Theater
Nov 19 Boise, ID Knitting Factory
Nov 20 Salt Lake City, UT The Complex
Nov 22 Denver, CO The Summit Music Hall
Nov 24 Chicago, IL Thalia Hall
Nov 25 Detroit, MI St. Andrew’s Hall
Nov 26 Cleveland, OH Agora Ballroom
Nov 28 Boston, MA Royale
Nov 29 New York, NY Stage 48
Nov 30 Philadelphia, PA Theatre of Living Arts
Dec 01 Richmond, VA The Broadberry
Dec 02 Wilmington, NC The Muse
Dec 03 Greensboro, NC Arizona Pete’s
Dec 05 Louisville, KY Diamond Pub Concert Hall
Dec 06 Nashville, TN Exit/In
Dec 07 Atlanta, GA The Masquerade (Heaven)
Dec 08 Tampa, FL The Orpheum
Dec 10 Oklahoma City, OK 89th Street Collective *
Dec 11 Albuquerque, NM Sister *

* Gatecreeper Only