Suffocation and The Agonist been added to the 2020 70000 Tons Of Metal Cruise. Continue reading “Suffocation And The Agonist Added To 70.000 Tons Of Metal”
Swedish melodic death metal pioneers AT THE GATES have just wrapped a North American tour with Amon Amarth. The band were joined by labelmates Arch Enemy and Grand Magus for the massive all Swedish tour. Continue reading “Concert Photo Review: At The Gates @ The Warfield – San Francisco, California”
Today UK-based band TRONOS release the official music video for their recently released second single “Judas Cradle” from their forthcoming album Celestial Mechanics. Check out the intensely atmospheric clip created by Khaled Lowe, Sam Edwards and Caleb Carney for A-Side Films below. Continue reading “Tronos Release New Music Video For “Judas Cradle””
Side A: The Mirror Black (Featuring Rob Miller) (04:38)
Side B: Daggers Of Black Haze (Featuring Rob Miller) (04:47)
Gothenburg-based melodic death metal pioneers AT THE GATES continue to promote their upcoming new studio album, “To Drink From The Night Itself”, (Out May 18, 2018 via CENTURY MEDIA RECORDS) by launching its newest single and music video clip for the song “Daggers Of Black Haze”.
WATCH the video for “Daggers Of Black Haze” — created by Costin Chioreanu / Twilight 13 Media (who was also in charge of the album’s artwork concept)– below.
AT THE GATES frontman Tomas Lindberg comments on the track as follows:
“Daggers of Black Haze” represents the more progressive side of the new record. It has a lot of reference-points to our early back catalogue, both style wise, and the emotional setting. It is desperate and urgent, but still melancholic and epic. It is conceptually one of the cornerstones of the album. Driving home the point of the need for a war on apathy and the populistic forces that takes advantage of it. This is a fight against the abyss. A beacon for the importance of real art, real forms of expression, and importance of our understanding of our mutual cultural history. The video was filmed by Costin Chioreanu once again, and it is full of symbolism and heavy on the conceptual side. Costin displays the war for art and the importance of standing up to the oppressive powers and paradigms with his film. It is beautiful, striking, melancholic and I am very happy to see his vision of my concept.”