South Dakota-based death metallers, Angerot rise from the ashes of Midwestern Metal to announce their crushing debut album, The Splendid Iniquity. Featuring a cast of seasoned veterans who share roots that reach back to the very beginnings of the Death Metal Movement, Angerot are more than a nod to early Swedish Death Metal, they are pure Swede Death Worship. Recorded with Eddie G at Underground Studios, mixed by Tomas Skogsberg (Entombed, Dismember, Carnage, Grave, At the Gates) at Sunlight Studios and mastered by Brad Boatright at AudioSeige, The Splendid Iniquity is a savage 40 minute sonic assault of 90’s Earache Records-era buzzsaw on your ear drums.
Pure Swedish death metal worship. That alone sounds like a death metal band. 90’s Swedish death metal had a unique sound that paved the way to a whole new death metal sound. Bands such as Entombed, Dismember, Unleashed, etc. Angerot shows their heavy Swedish death metal influence in the album “The Splendid Iniquity.” It was refreshing to hear that a band can still maintain that classic 90’s OSDM sound while bringing the intensity, brutality and new sound that makes a death metal band stand out. It is one of those albums that makes you go into a certain genre binge for a few weeks. Personally I do have a bias with death metal because of my passion for it, but I can also admit when I do not enjoy a death metal band or song. This was not the case. Once again i will use the word refreshing to describe the overall feeling i had while listening to this album.
Amazing death metal sound complimented by great vocal work and just the overall brutality in sound. This put my speakers to work. I can clearly hear the bass on the album which I love. Heavy bass adds another element to death metal which not every band is aware of. One song that stands out to me is “From the Pit to the Apex.” It has lots of intensity and is a good showcase of every weapon this band has, especially the vocals. The last solo of the song is perhaps my favorite of the whole album. Which is of course not to say there aren’t any more great solos in here. The Splendid Iniquity, reminds me of a mix between Entombed A.D. and Cut Up. Angerot is and example to follow. This is how to stand out from the rest. I will pay close attention to them for future projects. 9/10 easy.
1. Black Epoch
2. Eternal Unrest
3. The Splendid Iniquity
4. Rivers of Chaos
5. Under the Calm
6. They Wake at Dusk
7. From the Pit to the Apex
8. Deliver Us…
9. That Hath Awoke
10. Falia Diaboli (Alisin)
C.R. Petit – Guitar/Vocals
Jason Ellsworth – Lead Guitars
Zaugg – Bass
Josh Ferrie – Drums
Author: AJ Guzman
Ok. With a name like Bestailord I was totally expecting Black Metal. Damn, was I TOTALLY wrong! Bestialord’s “Law of The Burning” serves up quite a tasty little morsel of straight to your face metal ranging from doom, to death, and thrash. It’s like Black Sabbath, Death, and Mercyful Fate some how got together and infused their sound into some kind of twisted demonic child who loves to feed on freshly deceased corpses. You will love the production on this album as well. Now if you’re looking for some guitar virtuosity, keep looking because it’s not here.
This album relies on two or three riffs to carry the songs, but does it in a way that never gets boring. The production is really clean yet it retains that kind of sound like they just set their gear up and pressed record. The lyrics fit this sound perfectly. With topics ranging from Satanic rituals, diseased rats, cities being destroyed and the movie Hellraiser, this album oozes death out of every single sickly pore.
Author: John Adams
Aw Sweden. Not only do you give us beautiful women, but even better than that, you give us some of the finest metal that’s out there. Defiatory are one of those bands. With a vocal delivery that sounds like scraping your face on gravel, guitars that sounds like Judas Priest on meth, this album kills from start to finish. A sound reminiscent of The Haunted and In Flames, it’s one of those albums that will keep you headbanging from start to finish. “In Hell” begins everything off with blast beats and a thrashy guitar letting you that these Swedes are here to kick your ass.
The performance of the drummer on this album is extraordinary. Great fills, great double bass, just kickass. With speed metal song’s like “Death Takes Us All” to the thrash metal anthem of the album’s namesake “Hades Rising”, it covers all the basses of what good metal should be. A fantastic trip to the Emergency room, to have neck fusion surgery, to repair it from the continuous beating it just received from this album. Check it out!.
Black Lion Records Release date: 11/05/2018
1. In Hell
2. Dance of the Dead
3. King in Yellow
4. Stronger Than God
5. Death Takes Us All
7. Down To His Kingdom Below
9. Bane of Creation
10. All That Remains
11. Hades Rising
Author: John Adams
California one-man OSDM band Ripped to Shreds, featuring extreme mult-tasker Andrew Lee (ex-Disincarnation), will release debut album Mai-zang on Malaysia’s Necrolatry Records (cassette) and Mexico’s Craneo Negro Records (CD). Reamping/mixing/mastering was handled by Damian Herring (Horrendous) at Subterranean Watchtower Studios. Album artwork was created by Skaðvaldur.
One man metal acts are always intriguing for me. It amazes me how one person is able to record each instrument or have a vision for each part of the song. Lots of one man projects have amazed us throughout the years. From Bathory to Toxic Holocaust, one must appreciate the immense talent and vision the artist had. I personally have a bias towards OSDM because it is one of my favorite genres of metal. “ Mai-Zang” by one man band Ripped to Shreds has surpassed any expectations I had going into this album. The first thing that stood out for me are the vocals. Unique OSDM feel. It felt like i was listening to some early Autopsy, or like a mix between Immolation and Death. The album feels like a long dark journey. the guitar work along with the perfectly timed double bass pedals creates a fast death metal pace that never slows down its intensity.
This album reminds me a lot of “Leprosy” by Death. Lots of great riffs that build up to powerful guitar solos and great vocal work which casts the shadow of a rotting pungent tomb. My favorite song on the album is “God Worshipping Society”. This song showcases everything Ripped to Shreds has to offer. The guitar solos are fast and not repetitive, which is hard to do when playing this specific old school intense style. The themes of tombs and death almost give it sort of a black metal feel to it as well. This is an album that any extreme music fan will love. Perfect execution, great production, and amazing musical ability. Captivating old school death metal is still alive. 10/10.
Author: Aldo Guzman
Pennsylvania’s Argus stormed onto the underground metal scene with their twin guitar-driven, doom-tinged, working class metal sound. Releasing a self-recorded demo in early 2007 on John Brenner’s (Revelation/Against Nature) DIY label, Bland Hand Records, the band was roundly welcomed by the metal community at home as well as abroad and established its foundation amongst friends/fans within the scene. With this initial momentum, the band created a buzz that was only solidified by their punishing live performances.
Epic heavy metal is hard to execute without sounding repetitive. Sometimes your harmonies and melodies don’t carry much substance. Sometimes the lyrics are not to the caliber of the song titles. In the case of “From Fields Of Fire” by Argus, That is not at all the case. This album has everything that a great heavy metal album needs. Great vocal work that projects the epic feel of the album. the twin guitar harmonies are executed very well. The guitar work on this album reminds me of Dave Murray or maybe Janick Gers from Iron Maiden. The classic heavy metal sound never goes away on this album. I appreciate how the bass is turned up and it goes with the harmony of the guitars.
My favorite song on the album is “Devils Of Your Time”. I like the heavy harmony as well as the vivid songwriting. The songwriting and guitar work really made this album great. There lyrics do not seem to reflect something historic or something based off a story or a piece of writing. It seems to be based more from personal feelings and experiences with different emotions that make for a more personal experience to the listener. I am impressed by this brand of heavy metal. The song “No Right To Grieve” has a doomy, dark feel to it which compliments the epic songwriting on the rest of the album. “From Fields Of Fire” is filled with emotion and a traditional heavy sound that does not dissipate. 9/10
Author: Aldo Guzman
Not many grind splits have been released lately, especially not something as aggressive and unique as this. Retortion Terror has guitar work i have not heard before in a grind album. There are lots of surprising solos. Of course a grind album has to be brief, but there is a lot to be told in by this band. I love the imagery and the vocals. It has a mincy feel to it. I would very much like to see this band live, grind needs to come back like this.
Invidious really caught me by surprise. The death metal- like grind vocals set the pace for how the rest of the songs flow together. This band has the ability to piss me off but in a good way. Invidiosus is probably one of my favorite bands now. This split really left me wanting more and i know that with time they will only continue to improve their sound. The only thing this split is missing is more time. That is the frustrating thing about grindcore, you start getting excited about listening to it and 9 minutes later it is over. My favorite song on the album is “From The 16th Floor” it showcases everything grind should be. I has the mincy guitar/ drum work and the sharp and violent vocals that stand out. Hopefully there is more from these bands in the future. 9/10
Author: Aldo Guzman
Southern Californian hard-rock legends Fu Manchu released their 12th studio album, Clone of the Universe, on February 9th, 2018 via their own label At The Dojo Records. Their record is their first in 4 years, following the 2014 release of Gigantoid. The band will be playing 2 album release shows in Southern California before hitting the road in Europe in March of 2018 and returning to the US in May of 2018. Additional 2018 shows will be announced in the coming months.
You want the neck brace now or later? Because after listening to Fu Manchu’s 12th album, “Clone of the Universe” you’re gonna need one. Fuzzed out guitar riff after fuzzed out guitar riff, actually audible bass guitar, and vocals that fit the sound perfectly, you can actually smell the weed smoke billowing up from the crowd. The album’s opener “Intelligent Worship” kicks things off and let’s everybody know that this band has pretty much perfected the stoner rock sound.
This album really has something for everyone, “Don’t Panic”, the albums 3rd track has a much faster tempo to it, while the song “Nowhere Left To Hide” slows it down a bit to let you exhale that 4th bong hit. The albums closer “II Mostro Atomico” which translates to The Atomic Monster, clocks in at 18 minutes long. Yeah I know. An 18 minute song! Fuck that. I thought the same thing. But this song is absolutely killer! This is a musical direction Fu Manchu has not really explored before. This song really showcases Fu Manchu’s ability to really go outside their comfort zone and try something different. Plus it has a guest appearance from Alex Lifeson of Rush.
So with “Clone of the Universe” Fu Manchu has released an epic slab of stoner rock that really embodies everything that Fu Manchu has in their musical arsenal. The production is phenomenal, every instrument can be heard and appreciated. Nothing is buried in this record and it just comes across crystal clear.
So what do we have here? Well, we have a musical odyssey brought to us by a band in Fu Manchu that have really perfected their sound through the years. 12 albums in and they still sound as good and fresh as that Oz. of green bud you bought the other day. So i recommend going out and getting this album, kick yourself in the ass for not listening to Fu Manchu, and get on that dirty smelly tour van and enjoy the motherfucking ride.
Author: John Adams