Hailing out of Oakland, California, Cultural Warfare is comprised of five seasoned musicians with common goals – Vocalist Jacques Serrano, Guitarist Billy Garoutte, Guitarist Kevin Doughty, Bassist Pete Aguilar, and Drummer Bones Padilla. Together they create music that stays true to the classic Bay Area sound of its time while creating a modern twist in the music to create a melodic yet aggressive sound within the unit. Continue reading “CULTURAL WARFARE Guitarist KEVIN DOUGHTY – “Prince was a badass on every instrument, the ultimate artist”!”
With their recently released full-length debut “Warmageddon” turning (and banging) heads around the globe, the Oakland-based thrash quintet CULTURAL WARFARE has unveiled a music video for that album’s “Eyes Of The Land.” The clip, which premiered yesterday via Ghost Cult Magazine, captures the spirit of the song’s lyrics, which celebrate the Native American heritage of vocalist Jacques Serrano.
Check out the “Eyes Of The Land” video – directed by Mike Sloat (Testament, Machine Head) streaming below.
Says Serrano, “CULTURAL WARFARE are very proud to have created a song that represents Native Americans. The song captures their spirit and strength and puts them in a light that is positive. It was fun to tell a story about them and the video encapsulates the lyrics while showing the performance aspect of the band. The entire process from music to video was very rewarding to all of us.”
In the weeks leading up to the release of “Warmageddon,” which was praised by Metal Asylum as “dripping with snarl and attitude,” CULTURAL WARFARE released two other music videos – a lyric video for the album’s title track, and a clip for first single “Divided We Crawl.” Fans can expect to hear both of those songs live when the group hits the road this weekend for a series of shows with Exmortus and Hatchet. (See below for venue information.)
“Warmageddon” is the follow-up to the CULTURAL WARFARE’s 2017 debut EP “Future Kill,” hailed by Metal Wani as “neck-breaking thrash.” Recorded at California’s Trident Studios with producer Juan Urteaga (Machine Head, Exodus) and mastered at Sweden’s Fascination Street Studios by Jens Bogren (Sepultura, Kreator), “Warmageddon” is a “look into the future” where a “new world chaos” reigns supreme, according to the band. The album’s artwork was designed by Brian Lewis (DevilDriver, Black Label Society).
Upon releasing “Future Kill” last year, the group performed throughout the Western United States alongside the likes of Warbringer, Apothesary, The Agonist, Hatriot and others. Whereas the EP found Kevin Doughty playing drums, “Warmageddon” sees him join Billy Garouette on guitar to make room for new percussionist Bones Padilla.
The Bay Area has a legacy for great music throughout the decades, and the influence of the region’s thrash metal bands on the international scene is unparalleled. With their unique combination of traditional metal and aggressive, melodic thrash, CULTURAL WARFARE furthers the area’s legacy and proves that thrash is undoubtedly alive and well.
CULTURAL WARFARE on tour:
9/29 X Bar – Cupertino, CA w/ Exmortus, Hatchet
9/30 Blue Lamp – Sacramento, CA w/ Exmortus, Hatchet
10/1 The Slidebar – Fullerton, CA w/ Exmortus, Cultural Warfare
10/26 Third Street Pub – Bend, OR w/ Expain
10/27 America Legion Post 795 – South Lake Tahoe, CA
11/16 Shea’s Tavern – Reno, NV w/ Blasphemous Creation
The Oakland-based thrash quintet CULTURAL WARFARE has unveiled the title track of their debut full-length album, “Warmageddon,” due Sept. 14 via M-Theory Audio. A lyric video, created by LVMP, can be seen below.
CULTURAL WARFARE live:
8/18 Ukiah, CA – Redwood Metalfest
9/8 Toot’s Tavern – Crockett, CA
9/29 Spancky’s – Cotati, CA
9/30 Blue Lamp – Sacramento, CA w/ Exmortus, Hatchet
Cultural Warfare perform @ Cafe Colonial in Sacramento, California 04/29/17 on a line up that featured fellow M – Theory Audio label mates Blessed Curse, Apothesary and long time Sacramento death thrashers The New Plague. Continue reading “New Video Of Cultural Warfare Live In Sacramento, California”
Hailing out of Oakland California, Cultural Warfare is made up of four seasoned musicians with one common goal. Mass Destruction to every venue they step foot in! Former Taunted members Vocalist Jacques Serrano and Bassist Pete Aguilar joined forces with Cultural Warfare alum Guitarist Billy Garoutte and Drummer Kevin Doughty to form the heaviest lineup of Cultural Warfare to date.
Iron Serbian recently spoke with Cultural Warfare vocalist Jacques Serrano about joining Cultural Warfare, working with producer Juan Ortega (Machine Head, Testament, Vicious Rumors), local Bay Area musicians he admires, the end of the first wave of Bay Area thrash scene and much more….
IS: This is the Iron Serbian with Capital Chaos TV. I’m on the phone with Jacques Serrano with Cultural Warfare, How’s it going Jacques?
JS: It’s killer, glad to be on the phone with you discussing about all things metal and Cultural Warfare and happy to be here and talking to people.
IS: It says here you joined in 2015. Is that right?
JS: Sounds correct. You never know give or take a couple months. 2015 going on two yrs. now it’s hard to believe that I joined the band at that time but we been doing a lot of work.
IS: And when you joined that band it was just Billy and Kenny that was in the band. Is that right?
JS: Exactly, Billy and Kenny were in the band and I heard they were looking for a singer right away and I knew a little bit of Cultural Warfare, and I knew Kenny really well cuz we used to be in a band together back in the 90’s. So I reached out to him immediately and things moved along pretty fast as far as getting together and hashing out a couple songs. It happened pretty quick once they lost their singer.
IS: What band were you and Kenny in?
JS: We were in a band in the 90’s called Annihilation with Jimmy Stewart. They were pretty much a staple. I had done a couple of bands before that but when I was in Annihilation I got my feet full of the blood of Bay Area thrash and started my singing career more on that path of thrash. Thrash metal singing.
Z: I used to sing in the band called Turmoil and I think we played together at the Omni once.
JS: The name sounds familiar. Back in those days we all played 20 times a month.
IS: What happened to Kenny? Who killed Kenny?
JS: In a nutshell. What happens to any band when your progressing sometimes and sometimes the branches just fall off the tree and that’s just the way bands are, that’s the way life is and Kenny is a cool cat and I saw him a few months ago at a show I just hope he’s been doing well and I’ve known him forever but it was in the cards and it had to happen as Cultural Warfare kept progressing.
IS: Now you worked on the EP with Juan Ortega. What did he bring to the table? Did you go in there looking for some outside insight?
JS: Juan is as most people know especially musicians. He’s pretty much a staple in the Bay as far as recording great bands and I had worked with him prior with my other band I worked with him on a couple albums. And so he was my first choice in my opinion and the band knew of him as well and once they entered the studio it was warm and friendly and was a smooth process. Juan brings a lot to the table not just production skills but his ideas. There’s always a little idea as small as it may be that makes the song or a part a lot better. Juan was a musician himself back in the day.
IS: Juan was in Vile. Is that correct?
JS: Yes, he was the vocalist in Vile.
IS: How many songs on the EP are brand new?
JS: All of them are brand new. But live, we are playing older songs at select shows that people may know from Cultural Warfare’s first demo. But there’s some slicing and dicing. And with my vocals on board it’s changed significantly but if you’re a fan of the old stuff you’ll hear it and know what the song is. So we are playing some old stuff live.
IS: Do you have any favorites on the EP?
JS: I think every artist, when you have a full album are able to choose a handful of songs a little easier when you have 10 or 11 songs. When you have a smaller EP you always try to put your strongest material forward on a shorter focus like that. I actually like them all but truthfully it’s whatever mood I’m in that day. If I want to thrash and really just get up and go, Future Kill the title track is that fastest and heaviest song on the record but if I want to get into a groove and a good thrash groove I would listen to Rattens Krieg, so I really do truthfully like all the songs.
IS: Why EP and not LP?
JS: I think it was more because of wanting to get all the original Cultural Warfare fans a taste of what the band is doing and what we are about including because I was in some prior bands and what I was doing since being out of the scene for a bit until Cultural Warfare came about. Being a musician takes time to write songs and to perfect songs, write the melodies and everything that goes on then you got holidays, family, friends and a life outside bands so it takes time to put out music so we just wanted to get something out the strongest thing we could put out at the time and let people hear what we’re doing. So far I think we made the right choice people are really digging it.
IS: You have a nice vocal range, it’s a bit rare in the metal scene are there any other vocalist’s you admire?
JS: I’ve learned to appreciate bands, in general, for different reasons. Like, I’ll get into a band cuz I like the drummer or the guitarist but singing wise a lot of people like Christopher Dinsmore , his energy and his presence on stage, I know that guy works out cuz he’s got the endurance to totally push it on every song, every show that I see him play so I really appreciate a singer for that reason but then I’ll appreciate a singer, like my boy from up there in Sacramento, Norman Skinner and I have known each other for 100 years and I always respect and love Norm’s voice. He’s up there now gracing the stages of Sacramento. But he started out in the Bay Area. So there is a couple of guys that I really respect vocally.
IS: Christian Dinsmore is in what band?
JS: Mudface. Any band like Mudface. I just saw a band in So Cal cuz we played a show down there in San Diego and the Singer for Warpath. I don’t know his name but their cool little band that dresses up their all Indians from reservations and they have this vibe and the vocalist puts out these Native American vibes. But the band is called Warpath out in San Diego. There’s so many bands out there that a so full of energy and kickin’ ass and a lot of vocalists, the list is long I can name a bunch of them, but I like watching each person’s take and it’s not all about the scale you can hit, the growls you can do or the high pitched scratchiness you can do, It’s the whole package, the whole package of any singer.
IS: Absolutely, What band did you say Christopher Dinsmore was in?
JS: I’m blanking right this second. But I like Mudface and Angerhead. So he’s in Mudface and Paul is in Angerhead, Norm is in several bands. Jim Settle in Hand of Fire. I’m just trying to think of all the bands that have influenced me recently. It’s cool to be in the scene again and wee these guys perform and meet some of them. Some of them I had never met, like Jim. And, just sitting back and admiring their craft and what their working on, it’s something to see especially for myself cuz I’ve been doing that for quite a while In the bay area and it’s nice to see a new crop of people pop up and still kick butt.
IS: You got to go to Soutern California recently. What’s the live thrash scene like down there?
JS: I’ve been in the bay since ’89. I’m so proud of the bay but I have to give So Cal props. The people down there remind me of the old days. Almost everybody down there wearing jackets with patches. It’s seems like they have the passion and the vibe of European fans. And the clubs, I don’t know how long the clubs have been that that we’ve performed at but I’m hoping they stay a long time. Like clubs in the bay area seem to come and go. But the definition of fans is their fanatics they really dig their metal. I was just totally impressed. Shocked really it was really good down there.
IS: Will Cultural Warfare be reaching into the Taunted vault for riffs or material?
JS: I do not think so. (laughing) Taunted is a 100% different entity and we all respect each other’s music. When I joined the band, Billy the guitarist told me how much he was a fan of my music and Taunted so we play around with it every once in a while just for fun in the Studio. Pete Aguilar was also in Taunted for a while so we all love and respect each other’s music but I wouldn’t see that happening but like anything in this world never say never to anything.
IS: Is Taunted over?
IS: Officially no it’s not. I don’t stay in constant contact with Joey the Guitarist. Joey and I pretty much are and were Taunted but Joey lives in Las Vegas now so that make things more difficult but that ball is in Joey’s court and I think he’s working on stuff. And I hope he is working on stuff. What he does with it I’m sure I’ll be the first to hear about it then we can let the masses know.
IS: I hear Forbidden right away on Rattens Krieg. Do you hear it?
JS: It’s really funny when you hear that you sound like somebody, at first I never really hear it then when you start to listen to it over and over I definitely hear what some people are saying and obviously being in a thrash band where there’s a singer that has a little more melody than the average thrash band we’re going to get compared to bands like Forbidden cuz that’s what they brought to the table and we are proud to be mentioned the same breath as a band like that. I have a lot of really close ties with that band from the Annihilation days. We used to share our studios with forbidden a lot of history there.
IS: With Taunted you played Europe. Can we expect Cultural Warfare over there soon?
JS: I think that’s everybody’s dream to go across and get to Europe and perform. Everyone even if they haven’t been there how wicked it is to play in Europe.
IS: Holy land?
JS: Oh Yeah I’ve been there as a performer and I’ve been there a couple times with a band. It’s like nothing else. Like getting on the biggest roller coaster in the world. So Bad ass. So yeah the band wants to and I think that it will happen it just takes a little bit more time. We need to get a little more notoriety out in that area. Just as of yesterday we got a review in a really important German publication that gave us a good review. So I told the guys I knew of that. It’s called Street Clip TV. And they gave us some props over there so hopefully that spreads the word of Cultural Warfare a little more and we can bring that war train over there to Europe and burn up some tracks.
IS: You were in the Bay area in the late 80’s. Where the thrash scene what somewhat fizzling out and maybe a new kind of metal, death metal was starting to awaken or come to take over. Do you recall that area where Thrash was sort of on the wane?
JS: Yeah I moved here for the music in 89 right at the end of the peak but it still went another year or two but then it seemed like it just fell off the cliff. Why it happened, obviously everyone says the Seattle scene did change a lot as far as music goes and I think that hurt a little bit but you know when people say the thrash scene went away the die-hard true metal fans and people that love playing music we all know it never went away. It just wasn’t’ on your TV every day or it wasn’t in the magazines every day but the fans knew when there was a show and if a band like Sanctuary came to town or Overkill during those lean years people were there they were watching out and it never truly went away
IS: Three albums you can’t live without?
JS: My past started with Judas Priest. I’d have to pick Defenders of the Faith by Judas Priest, Them from King Diamond, Years of Decay by Overkill and believe me there are many more that are right there too.
IS: Well fortunately in this day and age, if stranded on a desert island, we will be there with a 64 gigabyte iPod. The days of 3 albums are sort of over. Thank you so much for your time I look forward to seeing you in Sacramento.
JS: Definitely we look forward to being in Sacramento as well. It’s going to be a killer show. Personally I’ve never played Sac in my whole career so I’m looking forward to being there and meeting the fans. So on April 29th be there and watch the band and all the other bands that are playing too. If you want to know more about us go to our website Cultural Warfare.com and that will put you in touch with everything from social media to updates, music, etc. etc. If you get in touch at Cultural Warfare.com we’ll get in touch with you.
IS: Well thank you and we’ll see you soon.
There’s no denying the impact Bay Area thrash has had on heavy metal. While that recognized glorious time has passed that doesn’t mean the soil is no longer fertile as the region still produces some of the best talent and CULTURAL WARFARE joins the list of noteworthy artists from the area. Hailing from Oakland’s East Bay, Cultural Warfare is made up four seasoned musicians with one common goal, who understand the rich history and lineage that their forefathers built and want to continue that legacy. Recently joined by former Taunted/Annihilation vocalist Jacques Serrano the band has elevated their potential bringing in a singer of his quality opening up the ability of the band to cross over and appeal to a wider audience of metalheads splicing the past with the present to create something the blends aggression with melody perfectly.
M-Theory Audio recognized this immediately when the group debuted a new track, “Defy the Blade” from the forthcoming Future Kill 5-song EP and worked out a deal to assist the band in getting their music heard.
“We are very excited to announce our new partnership between M-Theory Audio/Salem Rose Music and Cultural Warfare,” explains drummer Kevin Doughty. “Marco Barbieri has been an integral part of the Metal scene, music business, and community for many years. He has a vast knowledge of this business and specializes in nurturing bands to get the best out of them to achieve their goals. This is exactly what we were looking for, so when Marco heard our song ‘Defy the Blade’ that we put out on YouTube, he reached out to our singer wanting to hear more of our new EP. We were completely blown away by his interest. Once Marco heard the entire EP he offered us a contract under his new label M-Theory Audio. We were beside ourselves to say the least! We believe this is a partnership that will blossom into something very special, and are very much looking forward to working with M-theory Audio and Marco in the upcoming year 2017.”
Produced by Juan Urteaga (Machine Head, Exodus, Testament) at Trident Studios in Martinez, CA and mastered by Maor Appelbaum (Sepultura, Halford, Faith No More) in Los Angeles, the five songs sound large and impactful capturing CULTURAL WARFARE perfectly. Awesome cover art by Stone Design brings the band’s concept of Future Kill to life perfectly. The EP is set for a January 27threlease date on M-Theory Audio, via CD and digital distribution. Preorder copies now at the M-Theory shop for the special price of $5 here.
For discount tickets….Kenny or Cultural Warfare
Cultural Warfare is based on the concept of not being classified, labeled or catagorized in any sub genre of the METAL scene.
With members born thousands of miles apart yet raised in the Bay Area and having strong ties to the historic Thrash Metal scene spawned by powerhouse bands such as Testament, Exodus, Forbidden, Death Angel, Vio-lence, D.R.I. and countless others.
Our mission statement is to continue what these great bands have started with our own unique blend of style and influences from Machine Head,Napalm Death,Arch Enemy,Slayer etc.
With shredding guitars, thunderous machinegun percussions, dragline bass rippage infused with with sociopolitical commentary ranging from serial killers to black market organ trading.
We seek to establish the fact that NO MATTER what style of of METAL you play, listen to, or was influneced by…the ROOT of it all IS METAL! And that is all Cultural Warfare strives to be. A kickass, no holds barred, smashmouth METAL BAND!!!\m/